Robert Frost (Author of The Poetry of Robert Frost)Flinty, moody, plainspoken and deep, Robert Frost was one of Americas most popular 20th-century poets. Frost was farming in Derry, New Hampshire when, at the age of 38, he sold the farm, uprooted his family and moved to England, where he devoted himself to his poetry. His first two books of verse, A Boys Will (1913) and North of Boston (1914), were immediate successes. In 1915 he returned to the United States and continued to write while living in New Hampshire and then Vermont. His pastoral images of apple trees and stone fences -- along with his solitary, man-of-few-words poetic voice -- helped define the modern image of rural New England. Frosts poems include Mending Wall (Good fences make good neighbors), Stopping by Woods on a Snowy Evening (Whose woods these are I think I know), and perhaps his most famous work, The Road Not Taken (Two roads diverged in a wood, and I-- / I took the one less traveled by). Frost was awarded the Pulitzer Prize for poetry four times: in 1924, 1931, 1937 and 1943. He also served as Consultant in Poetry to the Library of Congress from 1958-59; that position was renamed as Poet Laureate Consultant in Poetry (or simply Poet Laureate) in 1986.
Frost recited his poem The Gift Outright at the 1961 inauguration of John F. Kennedy... Frost attended both Dartmouth College and Harvard, but did not graduate from either school... Frost preferred traditional rhyme and meter in poetry; his famous dismissal of free verse was, Id just as soon play tennis with the net down.
The Almost Universally Misinterpreted Poem “The Road Not Taken” and the Fascinating Story Behind It
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Every year, two neighbors meet to repair the stone wall that divides their property. The narrator is skeptical of this tradition, unable to understand the need for a wall when there is no livestock to be contained on the property, only apples and pine trees. He does not believe that a wall should exist simply for the sake of existing. Moreover, he cannot help but notice that the natural world seems to dislike the wall as much as he does: mysterious gaps appear, boulders fall for no reason. While living in England with his family, Frost was exceptionally homesick for the farm in New Hampshire where he had lived with his wife from to Despite the eventual failure of the farm, Frost associated his time in New Hampshire with a peaceful, rural sensibility that he instilled in the majority of his subsequent poems. Frost does maintain iambic stresses, but he is flexible with the form in order to maintain the conversational feel of the poem.
Something there is that doesn't love a wall, That sends the frozen-ground-swell under it, And spills the upper boulders in the sun; And makes gaps even two can pass abreast. The work of hunters is another thing: I have come after them and made repair Where they have left not one stone on a stone, But they would have the rabbit out of hiding, To please the yelping dogs.
How a poem about a rural stone wall quickly became part of debates on nationalism, international borders, and immigration. Prose Home Harriet Blog. Visit Home Events Exhibitions Library. Newsletter Subscribe Give. Poetry Foundation. Back to Previous. Mending Wall.
It opens Frost's second collection of poetry, North of Boston ,  published in by David Nutt , and it has become "one of the most anthologized and analyzed poems in modern literature". As the men work, the narrator questions the purpose of a wall "where it is we do not need the wall" Despite its simple, almost folksy language, "Mending Wall" is a complex poem with several themes, beginning with human fellowship, which Frost first dealt with in his poem "A Tuft of Flowers" in his first collection of poems, A Boy's Will. Mending the wall is a game for the narrator, though in contrast, the neighbor seems quite serious about the work. From Wikipedia, the free encyclopedia. For the Chalk Circle album, see Mending Wall album.
In spring, the two meet to walk the wall and jointly make repairs. The speaker sees no reason for the wall to be kept—there are no cows to be contained, just apple and pine trees. He does not believe in walls for the sake of walls. His neighbor will not be swayed. The speaker envisions his neighbor as a holdover from a justifiably outmoded era, a living example of a dark-age mentality. But the neighbor simply repeats the adage. Frost maintains five stressed syllables per line, but he varies the feet extensively to sustain the natural speech-like quality of the verse.